Flower and Bird Series 花鳥系列

花鳥畫是中國傳統繪畫的重要題材，描繪花卉、草木、飛禽、昆蟲等自然景物，展現生機與詩意。此畫科自唐代興盛，至宋代工筆花鳥畫達到巔峰，強調細節精微與色彩豐富；元、明、清則以寫意風格為主，筆墨簡練而富意境。

花鳥畫常寓意吉祥，如梅鶴象徵高潔長壽，牡丹孔雀代表富貴榮華。畫作技法多樣，分為工筆細描、寫意潑墨、設色設景。古代文人借花鳥畫寄託心境，並融入詩詞書法，增強內涵。

Bird-and-flower painting is a significant genre in traditional Chinese art, depicting flowers, trees, birds, and insects to convey vitality and poetic charm. This art form flourished during the Tang dynasty and reached its peak in the Song dynasty, where gongbi (meticulous brushwork) emphasised fine details and rich colours. During the Yuan, Ming, and Qing dynasties, expressive xieyi (freehand) techniques became dominant, using fluid brushstrokes to evoke deeper artistic meaning.

Bird-and-flower paintings often carry auspicious symbolism, such as plum blossoms and cranes representing purity and longevity, or peonies and peacocks symbolising wealth and prosperity. Techniques vary from fine-line gongbi, expressive ink washes, to colour-on-silk compositions. In ancient times, scholars used this genre to express emotions and often incorporated poetry and calligraphy to enrich its artistic depth.