FAQs

Colour-painting-on-paper「紙本設色」

Colour-painting-on-paper is a common technique in Chinese art, referring to the application of coloured pigments on a paper substrate. Because of paper’s fibrous structure and strong absorbency, water and pigments can create varied blending effects, displaying pronounced ink flow and layered colours. Compared to pure ink painting, colour-painting-on-paper places a stronger emphasis on colour usage, resulting in a richer visual impact. However, paper is more susceptible to humidity and environmental factors, necessitating extra caution in its preservation.

「紙本設色」是中國繪畫中常見的技法，指在紙質底材上運用彩色顏料進行創作。由於紙張纖維結構具備良好的吸墨性，水分與顏料能產生多變的暈染效果，並呈現鮮明的墨韻與色彩層次。相比純水墨畫，紙本設色更強調色彩運用，展現豐富的視覺表現。然而，紙張易受濕度與環境影響，因而需更加謹慎地保存。

Colour-painting-on-silk 「絹本設色」

Colour-painting-on-silk is a common form of traditional Chinese artwork, referring to the application of coloured pigments on silk ("juan") as the painting surface. Thanks to silk’s unique texture and luster, pigments do not easily penetrate the fabric, allowing for refined, meticulous brushwork and a gentle, elegant overall quality. Silk is relatively sturdy, with good tensile strength and sheen, enabling it to maintain vibrant colours over time. However, proper measures against moisture and pests are still required to preserve the artwork.

「絹本設色」是中國傳統繪畫中常見的一種創作形式，指以絲絹（絹）作為畫布，運用彩色顏料進行繪製。由於絲絹具有獨特的紋理與光澤，顏料不易滲透，使作品能呈現精緻、工細的筆法與柔和高雅的質感。絲絹相對堅韌，具備良好的抗拉性與光澤度，能長期保持色彩的鮮豔度，但同樣需要防潮與防蛀，以確保作品的保存。